I'd say the collective messages we've got from all our feedback was for us to change our audio by making the narration louder and credits music quieter in order to even out the aural experience throughout the film, therefor not distressing the audience with unequal levels of volume. Rhythm was talked about a lot too, regarding both audio and visual aspects - they all said that our footage wasnt as powerful as the audio was created an experience that is constantly on it's way up but never peaking. Footage usage was an issue too - we needed to use the correct footage to illustrate the processes of getting into the fiver, instead it came across more as a film advertising jobs in stage coordination.
I think overall we can meet all of these goals extremely easily. Now we know exactly what Simon is after and what Bournemouth has advised, we can definitely create a nicely finished product with both intellectual value and wow-factor.
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